August 14, 2010, Sandpoint, Idaho – Early Saturday morning I was out in the garden picking fresh raspberries and thinking about what I was going to do for the day when I heard this distant hum overhead. Then out of the blue, 3 bi-planes in formation flew very low over. I thought to myself “this is very strange way out here in the country” so I ran inside and searched the internet for any kind of air show event in ...More →
There has not been a video game that I have worked on that didn’t need rock sound effects. Whether it was stuff blowing up, melee impacts, giant footsteps, or castles crumbling, I was always looking for tons of rock source recordings.
I started recording rocks in 1993 with a portable Panasonic SV-255 DAT recorder at 16-Bit 48kHz. By the end of the decade, I had acquired hundreds of rock and dirt material recordings. It was a good thing too, because they ...More →
On Sunday, August 8th 2010 I was sitting on my deck after a sweaty rock recording trip watching the meteor shower over the north sky whan I heard this “Buzzzzzzz…. Thwack!” I turned around and saw this huge bug on the deck trying to get himself upright and fly toward the porch light. It seems he hit the side of the house so hard that a wing busted off.
I sat there for a while and kept hearing a buzz and ...More →
Ultimate Rockslide SFX Recording Pics, August 8, 2010
On Sunday, August 8th, 2010 I made one last trek up to the rock quarry blasting area to record the final sounds needed for my Ultimate Rockslide SFX Library. I was looking to get breaking, scraping, movements and impacts. After an hour of throwing rocks, climbing around the cliff and pushing boulders around I had 100 new sounds. Needless to say my legs were quite sore the next day. I’m not in the ...More →
“The Recordist”, an Independent SFX Company by Frank Bry [Exclusive Q&A]
Originally Posted on Designing Sound by Miguel on Thursday, August 5, 2010
Frank Bry is a sound designer and recordist who has worked on several game titles such as Dungeon Siege Series, Supreme Commander Series, Metroid Prime Series and more. He also likes to record sound effects and has an incredibly amount of sounds in his library.
Today I’m going to talk about his company, called The Recordist, a place ...More →
My photos from some of the recording sessions for my new SoundBox Professional sound effects library “Ultimate Concrete.” Recorded at 24-Bit/96kHz with a multitude of microphones and portable flash recorders over the last year in Sandpoint, Idaho.
I recorded way too many cement blocks, slabs, bricks, clay pots, debris drops, wheel barrel dumps, etc. A great way to keep in shape or throw out your back.
A special thanks goes out to my John Deere 4110 tractor which made the large ...More →
My desire for creating the Ultimate Rockslide sound effects library led me back to my favorite rock quarry high above the city of Sandpoint Idaho. I wandered around for a while and found a location I had not recorded before. It was a very steep slope with huge rocks at the top…. perfect!
Once I set up my gear I realized how damn dangerous this is. Recording alone at the top of a mountain, worrying about the gear falling over the ...More →
I walked out to my garage early this morning and heard a strange buzzing sound coming from the back. I saw a single bee sitting there and it was making a sound I have never heard before. I am used to hearing them buzz as they fly against the window trying to get out. This was different, it was like it was talking.
I ran back to the house and grabbed my Sony PCM-D1 which I keep close to the door ...More →
Rock Recording on April 25 2010
I have a quarry that was blasted out a few years ago nearby. I found an area they blasted that had very large rocks just waiting to be recorded. I climbed up the steep and jagged cliff and pushed, threw and kicked rocks over the side. Dangerous…. but I made it. Below are some sounds. Enjoy! – FrankMore →
Recording another wood slash pile fire in my yard in October, 2009
I recorded this slash fire at 24Bit / 96kHz with a Sound Devices 702 High-Resolution Audio Recorder and a Audio-Technica AT-835ST stereo shotgun microphone. As the fire settled down I threw campfire oil and gasoline on the hot coals and recorded the fire burst. Check out the sounds below.