In August 2013 I had the opportunity to record a rare diesel powered train from the 1950’s. This was a long time coming but it finally happened thanks to a few friends and the really cool guys who were tasked with making the machine operational. Here is the back story: In 2011 during the recording of North Country Trains sound effects library I stumbled upon the old locomotive parked along the switching tracks in Ponderay Idaho. It look as though ...More →
Recording the sound a large rock explosion on a mountain overlooking Lake Pend Oreille in North Idaho on August 14, 2013.
I was sitting on my deck enjoying a peaceful summer afternoon the other and then it started… It sounded like a machine gun shooting far off in the distance but it was actually a blasting and drilling machine on the mountain directly behind the house. The location is approximately 200 meters away. I have recorded many sounds up there before ...More →
Here are the FREE CRAZY SOUNDS that I have made available for download through SoundCloud for 2013. Some files are 24-Bit 96kHz (HD) and others are CD quality. Please Note: The standard “The Recordist single user license” applies to these free sound effects. Copyright laws, international copyright treaties, and intellectual property laws protect The Recordist Sound Effects. Copyright infringement is a serious offense. The Recordist protects its copyrights by all necessary means, including legal action.
This work is made and given ...More →
I recently bumped into a friend of mine from the area and the first thing he said to me was “I was just thinking about you the other day, I have these frogs in my pond that make one hell of a racket at night. You should come record them” By the way, this happens to me quite a bit when I meet friends at social events or just hang out. They always let me know if they have heard ...More →
Creating an Experience with Sound Effects – Interview with Frank Bry
This is a interview I did with my good friend Paul Virostek from Jetstreaming.org
How can you record great sound effects?
Field recording well requires using gear properly, having a solid recording sensibility, and knowledge of acoustics and signal flow.
However, as a listener, these things rarely come to mind when we hear an impressive sound. It’s similar to watching a movie: we never wonder how the gaffer lit a scene. That may ...More →
It’s been a year since I did any extensive train recording and today I ventured out into the wilds of North Idaho with my MKH8040ST ORTF rig to see what I could get. During a quick morning trip to town I noticed two trains parked across the lake waiting for track repairs to be completed. I had enough time to drive home and grab the microphones and set up on a cliff overlooking the lake. The two trains were right ...More →
I have been trying out two iZotope processors for a few days now and discovered they can really enhance raw sound effects recordings in an exciting way (for me anyway). I’m tired of the same old stuff from the mainstream plug-in companies and want to spice up my life a bit. For this blog post I ran some explosions I recorded last year in the mountains here in North Idaho. I was messing around with Alloy 2 and Ozone 5 ...More →
February 19, 2013 – It was an honor and privilege to participate in the 7th Tonebenders Podcast about recording guns with Charles Maynes, Watson Wu and Axel Rohrbach. Episode 7 features a round table discussion on the art of field recording firearms. Regular hosts Rene, Timothy and Dustin are joined by Frank Bry (of therecordist.com) and Charles Maynes (one of Hollywood’s go to gun guys), who sit in for the whole podcast. Axel Rohrbach (from Germany’s ...More →
This is the official page for Gunscapes HD Pro SFX news, gossip and super critical updates. When news is made concerning the library I will post it here with or without spelling and grammatical errors. (It all depends on how much of a rush I’m in) You can also post questions, comments and suggestions about the library. This library is also fielding requests. If ...More →
Transient enhancement plug-ins are wonderful tools to have in a sound designer’s arsenal. They can be used to soften a sound or to make it balls to the wall, hard hitting intense. Explosion sounds really benefit from this type of process. If you have recorded explosions, you may already have discovered that live is much better than tape, or should I say “BWAV file.” The human body feels ...