I have been trying out two iZotope processors for a few days now and discovered they can really enhance raw sound effects recordings in an exciting way (for me anyway). I’m tired of the same old stuff from the mainstream plug-in companies and want to spice up my life a bit. For this blog post I ran some explosions I recorded last year in the mountains here in North Idaho. I was messing around with Alloy 2 and Ozone 5 ...More →
This is a set of processed bullet and gun sound effects recorded at the “Cliffs” in the North Idaho mountains in October 2012. The 1st sound is the final composite mix and then the individual elements used to create it. There was no synthesis applied juts pitch change, transient enhancement, compression and some substantial hard limiting. All the processing was done via the VST Rack in Soundminer ...More →
Two years ago I asked myself the question “How can I record the sound of explosions without breaking the bank” After months of research including many hours of watching You Tube videos I asked my local gun shop if they would be able to help me. “Yes we can” was the enthusiastic answer. So, a little over a year ago during the first M-60 machine gun ...More →
Today marks the release of the 3rd beta which includes all new ricochets and bullet foley. If you purchased the library prior to September 19, 2012 you will receive a product email from my download service with the link to the latest set of sounds (Zip-3B) today.
Where we are at now:
1. I have arranged to get a old Ford Bronco SUV to shoot the crap out of. This session was planned for ...
Image: 29 Grain .22 on the left. 40 grain .22 on the right
Earlier this year I wrote an article about recording the sound of subsonic bullets using 40 caliber ammunition and learned a lot about the physics and technical aspects of these bullets. Since then I have recorded hundreds of subsonic bullets using smaller 22 caliber ammunition. Keep in mind ...More →