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Full Auto Gun Recording

Sometimes You Just Roll With it…

Being a sound effects recordist has it’s special moments… moments when you just have to let go and qo with the day. It’s been a while since I have experienced this as running my online business, contract sound design work and all the other things that go along with living life as a self employed maniac take up all of my time and having a structured schedule is a priority. Every now and then something comes up where you just have to throw all this out the window and go with the moment.

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Recording The Barrett 99 50 BMG Rifle

You may have heard a rumor through the social network grapevine that I finally took a Barrett 99 50 BMG rifle out into the North Idaho wilderness and recorded the tiny little sound it makes. Well, it’s true. I did, and it was LOUD… and so much fun capture such an amazing sounding gun. I have never recorded such a large rifle before and was very anxious after recording 15 body thumping shots to get back to the studio and listen to the multi-microphone recordings. In this blog post I will explain to the best of my “spell correcting” ability how I set up and what gear I used to capture the incredible echo this gun produced on a secret 400 acre ranch.

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The Recordist Article 2013

Posted: Sunday, December 29, 2013
By DAVID GUNTER Feature correspondent for The Daily Bee

SANDPOINT – Frank Bry hears things. It’s his job, actually. Where most of us might detect a twig breaking underfoot — if we notice it at all – Bry’s ears snap to attention, fully alert to the myriad ways a twig can be broken and how it might sound from dozens of different angles.

For Bry, the crack of ice on a frozen lake is only an overture to the symphony that follows. It might be a deep-bellied echo from the depths below, or a sparkling chorus of bubbles rising up to answer the initial fracture, but he hears every note, registers every subtle aspect of the soundscape.

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Rock Smash Debris

CRAZY SOUND OF THE MONTH for November 2013: Rock smashes. Recorded with a Sennheiser MKH-8040ST at 24-Bit 96K. These rocks weathered by millions of years of wind, rain and snow break apart completely when tossed onto a solid concrete surface. During the recording sessions for the Ultimate Rockslide collections I gathered these “soft” granite chunks and stored them in my garage. My wife was always asking about them and why I was keeping them. Well, now she knows I smashed them to bits.

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Recording The 6311 Locomotive

In August 2013 I had the opportunity to record a rare diesel powered train from the 1950’s. This was a long time coming but it finally happened thanks to a few friends and the really cool guys who were tasked with making the machine operational. Here is the back story. In 2011 during the recording of North Country Trains sound effects library I stumbled upon the old locomotive parked along the switching tracks in Ponderay Idaho. It look as though it was being refurbished but I was not sure. A few days later I asked around town and a friend of mine actually knew about the train and who was working on it. He told me he would look into it. A few weeks later he called and told me it was going to start up very soon and would I be available to record on short notice. Of course I said “Oh yeah, I can be ready at a moments notice!”

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