Creating an Experience with Sound Effects – Interview with Frank Bry

This is a interview I did with my good friend Paul Virostek from Jetstreaming.org

How can you record great sound effects?

Field recording well requires using gear properly, having a solid recording sensibility, and knowledge of acoustics and signal flow.

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Two years ago I asked myself the question “How can I record the sound of explosions without breaking the bank” After months of research including many hours of watching You Tube videos I asked my local gun shop if they would be able to help me. “Yes we can” was the enthusiastic answer. So, a little over a year ago during the first M-60 machine gun recording session I was able to finally record what is known as “Tannerite”. For those who do not know, Tannerite is a binary exploding target that contains two elements that are sold separated and when mixed together and shot with a high powdered rifle makes quite a loud noise. These sessions came out great even though we got rained out later in the day and had to scramble to get the equipment under cover.

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Slow Motion Bullets Part-2 Article

Image: 29 Grain .22 on the left. 40 grain .22 on the right

Earlier this year I wrote an article about recording the sound of subsonic bullets using 40 caliber ammunition and learned a lot about the physics and technical aspects of these bullets. Since then I have recorded hundreds of subsonic bullets using smaller 22 caliber ammunition. Keep in mind I am no physics or ammunition expert but since talking with many knowledgable people about subsonic ammunition and actually recording them I have learned even more.
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