In this second and final article I will discuss microphone patterns, recording device pre amp settings, editing and the final mastering phase of this collection. Before I dive into all the technical mumbo jumbo I want to express that when I’m setting up and actually recording thunder and lightning I get quite excited. There must be something in the air, alien mind control beams or just the anticipation of getting the “ultimate” thunder clap or lightning strike. It’s very hard work and involves exercise, listening, tracking the storms and watching the skies. I feel like a kid in a candy shop and I feel the recording is the easy part. So, now we begin.
On November 20, 2014 The Recordist ventured out to a 380 acre ranch to record bullet impacts and pass by’s. Here is some of what went down on that very cold and snowy day in North Idaho.
This video is from my sound effects recording session #6 for the forthcoming BULLETS II HD Professional Sound Effects Library to be released soon.
The guns and ammo used for this video included a Rock River ArmsLAR-9 9mm rifle (un-suppressed), Smith and Wesson M&P 40 Caliber handgun (suppressed) and a Springfield Armory XDM 45 caliber handgun (un-suppressed). We were shooting 350 yards from the 4 microphones placed out in the wide open field.
October 7, 2014 – Frank Bry
In this article I will reveal my secrets and techniques to recording decent thunder and lightning. Many, many years and sleepless nights have gone into perfecting the art of recording the thunderstorm and I will finally share. But first, I want to share a little history and tell you how I developed these secrets and techniques. It was not so easy at first and here’s the story I’m still alive to tell. Part 1: Live and Learn.
Thunderstorm III HD Professional SFX library Update: Three years ago I started recording all new thunder and lightning sounds for this new collection. As you might guess you cannot call up the thunder gods and schedule a recording session or two. Strange I know but that’s the way they work. So, I’ve been slowly and patiently waiting, recording, waiting, recording, editing, waiting, recording, etc during this time and have recorded quite a bit of material.
Whenever I do a major project around the house I try to record it. Whether I have a new sound effects collection in mind or not, I can’t resist setting up some microphones and rolling. I wanted to open up the back yard to get more sunlight and a better view of the sky and this involved cutting down a few very tall trees. These trees were about 80 to 100 feet tall so I had a friend come over with his tractor and chain saw to make the cuts and manage the clean up. Normally I would do this myself but since I wanted have multiple recorders and video cameras I thought it best to focus my attention on just the recording. This was the safest thing to do since the trees were very large and close to the house.
Game Audio Portfolio
• Call of Duty: Advanced Warfare
• Battlefield 4
• Donkey Kong Country Returns
• Guitar Hero: Warriors of Rock
• Monday Night Combat
• Space Siege
• Supreme Commander 1 & 2
• Unreal Championship 2
• Armies Of Exigo
• Axis & Allies
• Kohan: Kings of War
• Dungeon Siege 1 & 2
• Metroid Prime 1, 2 & 3
• Neverwinter Nights
• Total Annihilation
News & Press
- The Hawk is HereSeptember 26, 2016 - 7:45 am
- The Huey is HereSeptember 7, 2016 - 12:57 pm
- June 2016 NewsletterJune 6, 2016 - 8:35 am
- The Recordist Five Fifty RetrospectiveMarch 13, 2016 - 2:31 pm
- The Envolution of SuppressorsDecember 10, 2015 - 5:17 pm
- The Recordist Article 2013December 29, 2013 - 6:15 am