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You are here: Home1 / Shop2 / HD Professional SFX3 / Guns HD4 / The Greaser

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The Greaser

$59.00

The Recordist presents the M3A1 .45 “Grease Gun”. 24-Bit, 96k Source & processed Broadcast WAVs with a huge amount of microphone perspectives. Full Auto Clunky Mayhem!

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Price $59.00 $53.10 $50.15 $44.25 $38.35

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SKU: M3A1-01 Categories: Guns HD, HD Professional SFX, Warfare HD Tags: Guns, LMG, Machine Gun, Military, SMG, Warfare, Weapon
  • Description
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Product Description

The Recordist is proud to present a whole new series of HD Professional sound effects libraries featuring rare and unique guns. First up is the M3A1 Submachine gun .45 “Grease Gun”. Source and processed tracks with a huge amount of microphone perspectives. Close, medium and distant perpectives provide a wide range of “character” from this Korean War era submachine gun. The gun recorded is the real deal, not a replica. Clunky Full Auto Mayhem!

Background:
The M3 was an American .45-caliber submachine gun adopted for U.S. Army service on 12 December 1942, as the United States Submachine Gun, Cal. .45, M3. The M3 was chambered for the same .45 ACP round fired by the Thompson submachine gun, but was cheaper to produce, and lighter. The M3 was commonly referred to as the “Grease Gun” or simply “the Greaser,” owing to its visual similarity to the mechanic’s tool.

The M3 was intended as a replacement for the Thompson, and began to enter front-line service in mid-1944. Due to delays caused by production issues and approved specification changes, the M3 saw limited combat use in World War II. The M3A1 variant was used in the Korean War and later conflicts.

In December 1944, a modernized version of the M3 known as the M3A1 was introduced into service, with all parts except the bolt, housing assembly, and receiver interchangeable with those of the M3.

Equipment Used:
Sound Devices 688/302 (preamp) | Sound Devices 744T/Mix Pre-D | Sound Devices 702 | Sennheiser MKH-8040ST XY/ORTF | Sennheiser MKH-8040 | Sennheiser MKH-8050 | Sennheiser MKH-8060 | Sennheiser MKH-8020 | Sennheiser MKH-416 | Schoeps MS Pair MK4-MK8 | Sony PCM-D100 | Shure VP-88 | DPA 4062 | Audio Technica AT835-ST | Audio Technica BP-4025

TECH SPECS

Files 60
Sounds 500+
Download Size 605.7MB
Format Stereo/Mono BWAV – 24bit, 96kHz | Mac-Windows
Metadata Soundminer, BWAV
Available As Download Only
PDF Sound List XLS Sound List
Download PDF File List Download Excel File List

Bonus Material:
Included in the download is the option to use the leg picker in Soundminer with Poly-Wavs to audition and transfer to your DAW. FYI: You will need to reference the PDF tracklisting for PolyWavs to see the details of the microphone perspectives.

All Images and Sounds Copyright 2019 Frank Bry – Creative Sound Design, LLC. All Rights Reserved.

Source:
Burst Shots: Attached – DPA4062
Burst Shots: Close Perspective: 2m Side – MKH8040
Burst Shots: Close Perspective: 2m Side – MKH8050
Burst Shots: Close Perspective: 5m Muzzle – MKH416
Burst Shots: Close Perspective: 5m Rear – BP4025
Burst Shots: Close Perspective: 6m Muzzle – MKH8060
Burst Shots: Close Perspective: 7m Right – PCM D100
Burst Shots: Distant Perspective: 100m – AT835ST
Burst Shots: Distant Perspective: 150m – PCM D100
Burst Shots: Distant Perspective: 50m – Schoeps MK4 MK8 Stereo
Burst Shots: Medium Perspective: 10m Rear – MKH8040ST ORTF
Burst Shots: Medium Perspective: 12m Muzzle – MKH8020
Burst Shots: Medium Perspective: 12m Rear – VP88 Stereo
Burst Shots: Medium Perspective: 6m Rear – MKH8040ST XY
Foley: Bolt Slide Open Close – DPA4062
Foley: Bolt Slide Open Close – MKH8060
Foley: Magazine In Out – DPA4062
Foley: Magazine In Out – MKH8060
Single Shots: Attached – DPA4062
Single Shots: Close Perspective: 2m Side – MKH8040
Single Shots: Close Perspective: 2m Side – MKH8050
Single Shots: Close Perspective: 5m Muzzle – MKH416
Single Shots: Close Perspective: 5m Rear – BP4025
Single Shots: Close Perspective: 6m Muzzle – MKH8060
Single Shots: Close Perspective: 7m Right – PCM D100
Single Shots: Distant Perspective: 100m – AT835ST
Single Shots: Distant Perspective: 150m – PCM D100
Single Shots: Distant Perspective: 50m – Schoeps MK4 MK8 Stereo
Single Shots: Medium Perspective: 10m Rear – MKH8040ST ORTF
Single Shots: Medium Perspective: 12m Muzzle – MKH8020
Single Shots: Medium Perspective: 12m Rear – VP88 Stereo
Single Shots: Medium Perspective: 6m Rear – MKH8040ST XY

PolyWav:
Burst Shots: Poly 6ch Mono Mics
Burst Shots: Poly 8ch Close Stereo Mics
Burst Shots: Poly 8ch Distant Stereo Mics
Single Shots: Poly 6ch Mono Mics
Single Shots: Poly 8ch Close Stereo Mics
Single Shots: Poly 8ch Distant Stereo Mics

6ch Mono Mics
8040[L] (1),8050[R] (2),4062[C] (3),8020[LFE] (4),416[Ls] (5),8060[Rs] (6)

Close Stereo Mics
8040-XY (1),8040-XY (2),BP4025 (3),BP4025 (4),8040-ORTF (5),8040-ORTF (6),D100 (7),D100 (8)

Distant Stereo Mics
VP88 (1),VP88 (2),MK4-MK8 (3),MK4-MK8 (4),AT835ST (5),AT835ST (6),D100 (7),D100 (8)

PolyWav PDF Sound description list: Sound File List PDF

Microphone Perspectives:
DPA 4062 Attached
Sennheiser MKH-8040: Close Perspective: 2m Side Right
Sennheiser MKH-8050: Close Perspective: 2m Side Left
Sennheiser MKH-416: Close Perspective: 5m Muzzle Right
Audio Technica BP-4025: Close Perspective: 5m B4025
Sennheiser MKH-8060: Close Perspective: 6m Muzzle Left
Sony PCM-D100: Close Perspective: 7m Right
Audio Technica AT835-ST: Distant Perspective: 100m Side Right
Sony PCM-D100: Distant Perspective: 150m Side Letf
Schoeps MK4-MK8 MS Stereo: Distant Perspective: 50m Side Right
Sennheiser MKH-8040ST ORTF: Medium Perspective: 10m Rear
Sennheiser MKH-8020: Medium Perspective: 12m Muzzle
Shure VP-88: Medium Perspective: 12m Rear
Sennheiser MKH-8040ST XY: Medium Perspective: 6m Rear

IMPORTANT:
Purchases made at this website are DIGITAL DOWNLOAD ONLY. No physical shipments of DVDs, CDs or Hard Drive or any other media now known or may be know in the future will be delivered unless special arrangements are made.

Because the TheRecordist.com Web site offers its users the opportunity to audition a sound effects collection before a purchase is made, all transactions conducted at therecordist.com are considered final sales. Please make your license purchasing decisions carefully, because once you have obtained download access to any of our digital sound effects, we are unable to cancel your license or issue a refund for your purchase.

Before purchasing, please take the time to look at our end user license agreement. The sounds are royalty free and licensed to you, which means there are some restrictions, so please read it carefully.

Sales through this site are single and multi-user licenses, if you are working at a media or video game production facility and are interested in a multi-user site license, and are unable to purchase via this website please contact The Recordist for more information.

COPYRIGHT NOTICE:
This work is made and sold under license. By accepting this work, you agree to the following terms and conditions. Your use of this work is limited and restricted solely for the purpose of synchronizing recordings there from in timed relation with films, training or marketing presentations, radio and television presentations or commercials, and any other multimedia, audiovisual or computer generated displays, programs or presentations. Neither you nor anyone else may make any copies of any of the recordings on this work, except as may be designated to a single stand alone workstation for the purpose of specific audio and/or visual synchronization at your own facility. Transfer, copying or duplication of the work in whole or in part for any other purpose is expressly prohibited unless specifically authorized in writing by The Recordist. Transfer of one or more sounds to any format allowing network or remote access by two or more end users requires a Multi-user License. Contact The Recordist for details. In the event of a breach of these terms, action may be taken against you directly by Creative Sound Design, LLC., the owner of the copyright. v4.5 11-23-22

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