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Date: Nov. 7, 2011

M60 Machine Gun Microphone Comparison 1

This video cycles through the microphones used during the first recording session for this gun. This first session was for capturing the medium close and distant perspectives and the second session was primarily for the close up sound. Recorded at 24-Bit 96kHz/192kHz to 2 Sound Devices SD-702 recorders, Fostex FR-2, Sony PCM-D1 with XLR-1 Microphone Preamp and a Sony PCM-D50. The microphones used were 3 Sennheiser MKH-8040, MKH-416, AT-835ST, Sanken CSS-5 and D-50 internal.

M60 Machine Gun Microphone Comparison 2

This video cycles through the microphones used during the second recording session for this gun. The first session with this weapon was for getting the medium close and distant perspectives and this session was primarily for the close up sound along with some closer distant perspectives. Recorded at 24-Bit 96kHz/192kHz to 2 Sound Devices SD-702 recorders, Fostex FR-2, Sony PCM-D1 with XLR-1 Microphone Preamp and a Sony PCM-D50. The microphones used were 4 Sennheiser MKH-8040, MKH-416, AT-835ST and D-50 internal.

A Mossberg 590 12 Gauge Shotgun recorded from 3 positions at 24-Bit 192kHz. 1) Original speed: side, front and rear. two versions each. 2) Played back at half speed: side, front and rear. 3) Played back at quarter speed: side, front and rear.

I quickly edited and mastered them in Pro Tools at 192K with some H-Comp compression, Decapitator and L2 limiting. Oh yeah… I almost forgot to mention Chuck Russom’s “Call It Good” favorite: RenBass.

Below is the 192K file you can download and have fun sith (I hope) Don’t worry, I can shoot anytime here on the ranch. I can always get more if I need them. -Frank
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