Product Description
The Thunderstorm HD Professional Sound Effects Library Bundle is massive collection of thunder and lightning sound effects from Thunderstorm 1 HD, Thunderstorm 2 HD and Thunderstorm 3 HD. This one of a kind collection of all three sound effects libraries is the ULTIMATE in thunder sound effects.
Recorded mostly with no rain or wind, the dry, isolated thunder claps and lightning strikes can be used in just about any scene. The thunder tracks with rain can be blended to fit perfectly with these isolated sounds. With the addition of Thunderstorm 3 HD Pro you get extremely close up dry lightning strikes and massive thunder claps and long takes of soothing rain with close, medium and distant perpective thunder claps recorded in normal XY and wide ORTF stereo with MKH-8040ST microphones. A cool little device called the Sony PCM D-100 was also used. What are you waiting for? You know you want it!
Thunderstorm 1 HD Pro contains 90 24bit 96kHz Broadcast WAV files in a wide assortment of thunder categories including: distant rolling thunder, close-up thunder claps, cracks, fierce lightning strikes and approaching storm cells. Mostly recorded without rain, unlock the full potential of your artistic vision with the most exciting thunder sounds ever recorded.
Thunderstorm 2 HD Pro includes 55 24bit 96kHz Broadcast WAV files are extremely close lightning strikes, booming rumbles, heavy claps, rainstorms and special LFE tracks for you to drop in your session with no fuss. Over 900 megabytes of pure North Idaho thunder at your fingertips. Mix and match the tracks together to build the perfect storm boomers. Also included are specially designed lightning strikes using analog style compression, multi-file layering and pitch change.
Thunderstorm 3 HD Pro is a unprecedented audio love-fest of extremely close up dry lightning strikes and massive thunder claps only North Idaho can produce. With lots of help from the thunder gods over the last 3 1/2 years, this collection of mother nature’s power and fury is alive and kicking! The collection contains 118 24bit 96kHz Broadcast WAV files ranging from powerful lightning strikes less than 1000 feet away to deep, booming thunder claps over 20 miles way.
Equipment Used:
Sound Devices 702/744T – Fostex FR-2 – Sennheiser MKH-8040ST – Sennheiser MKH-8040 ORTF – Sanken CSS-5 – Audio Technica AT-835ST – Sony PCM-D1 – Sony PCM D-100
Files: 263 • Download: 5.36GB • Format: Stereo • Bit Depth: 24-Bit • Sample Rate: 96kHz • Metadata: Soundminer/BWAV
Thunderstorm 1 Complete PDF Sound description list: Sound File List PDF
Thunderstorm 1 Complete XLS Sound description list: Sound File List XLS
Thunderstorm 2 Complete PDF Sound description list: Sound File List PDF
Thunderstorm 2 Complete XLS Sound description list: Sound File List XLS
Thunderstorm 3 Complete PDF Sound description list: Sound File List PDF
Thunderstorm 3 Complete XLS Sound description list: Sound File List XLS
Thunderstorm Recording Techniques
To kick off thunderstorm season here in North Idaho I want to share with you some new thunder and lightning recordings along with some from my Thunderstorm HD library released a couple years ago. I also want to share some of my tips and techniques I use when trying to record that elusive lightning strike. The audio clip below is thunder I’ve recorded over the last 2 years. The clip contains the raw recordings, no processing except crossfades and gain adjustments. What you hear is what you get. Now, some background information.
Read more about some of the sessions and recording thunder:
Thunderstorm Recording Techniques
To kick off thunderstorm season here in North Idaho I want to share with you some new thunder and lightning recordings along with some from my Thunderstorm HD library released a couple years ago. I also want to share some of my tips and techniques I use when trying to record that elusive lightning strike. The audio clip below is thunder I’ve recorded over the last 2 years. The clip contains the raw recordings, no processing except crossfades and gain adjustments. What you hear is what you get. Now, some background information.
Midnight Thunderstorm on June 12 2011 With 8040s
For the last month or so I’ve been driving my wife crazy with my microphone and recorder rigs sitting near the front door. I’ve been trying to record the thunderstorms that were forecast by the experts. So far I’ve been batting a thousand with thunder fail so last night I moved all the gear downstairs to the studio to make good with my wife.
2AM Thunderstorm September 18th 2011
This is a recording of a thunderstorm that passed through in the middle of the night and completely caught me off guard. This is the time of year that the weather here in the North Idaho panhandle brings surprises. Cold, heat, wind, rain and lightning are the norm on any given day. The weekend was much cooler than the last two months and I should have known a storm would zip on though and I almost missed it.
Lightning Strikes, June 24 2012
The house rumbled shortly before 3AM PST and yes, it woke me up. A thunderstorm was approaching from the South. This time of year I have the microphones and video camera at the ready for such events. I placed the High Definition MKH-8040ST microphones and the FlipHD camera just outside the front door and waited.
Thunderstorm Cleanup With RX2
This is a quick tutorial on one of my techniques for cleaning up thunder recordings. At the bottom of the page is a version of the original recording which you can download from SoundCloud for free. (24-Bit 48k) Recorded with a Sennheiser MKH-8040ST set at XY 90 degrees. Approximately 50% of the thunder I record here on the ranch is fairly clean with little to no rain and wind. The other 50% has some other junk like crickets, birds, cars, trains, bats, dogs, you name it. If I can hear it even slightly before recording it can get in there. The unpredictable nature of thunder is that you never know what you are going to get.
2AM Thunderstorm September 18th 2011
This is a recording of a thunderstorm that passed through in the middle of the night and completely caught me off guard. This is the time of year that the weather here in the North Idaho panhandle brings surprises. Cold, heat, wind, rain and lightning are the norm on any given day. The weekend was much cooler than the last two months and I should have known a storm would zip on though and I almost missed it. I checked the weather before heading off to sleep and there was a 30% chance of rain but no thunder in the forecast.
Some footage from a severe thunderstorm that roared in on 8-2-14 in North Idaho. The audio in the video is from the actual storm. Recorded with a pair of Sennheiser MKH-8040 stereo rigs. ORTF and XY were used along with a Sony PCM D-100 recorder that was setup in the front of the house with a Hero 2 camera. This storm produced extermely strong winds and knocked out power to 50,000+ people here.
The Making Of Thunderstorm 3 SFX Library Part 1
In this article I will reveal my secrets and techniques to recording decent thunder and lightning. Many, many years and sleepless nights have gone into perfecting the art of recording the thunderstorm and I will finally share. But first, I want to share a little history and tell you how I developed these secrets and techniques.
The Making Of Thunderstorm 3 Part 2
In this second and final article I will discuss microphone patterns, recording device pre amp settings, editing and the final mastering phase of this collection. Before I dive into all the technical mumbo jumbo I want to express that when I’m setting up and actually recording thunder and lightning I get quite excited.
Thunderstorm III HD Pro SFX library Update
Three years ago I started recording all new thunder and lightning sounds for this new collection. As you might guess you cannot call up the thunder gods and schedule a recording session or two. Strange I know but that’s the way they work. So, I’ve been slowly and patiently waiting, recording, waiting, recording, editing, waiting, recording, etc during this time and have recorded quite a bit of material.
IMPORTANT:
Please Note: The sound list & EULA for each collection may not be included in the actual download. Please go to a product page and click on “Tracklist” to view or download the appropriate sound list in PDF or MS Excel (XLS) format. The current PDF of the EULA is available here for download.
Purchases made at this website are DIGITAL DOWNLOAD ONLY. No physical shipments of DVDs, CDs or Hard Drive or any other media now known or may be know in the future will be delivered.
Because the TheRecordist.com Web site offers its users the opportunity to audition a sound effects collection before a purchase is made, all transactions conducted at TheRecordist.com are considered final sales. Please make your license purchasing decisions carefully, because once you have obtained download access to any of our digital sound effects, we are unable to cancel your license or issue a refund for your purchase.
Before purchasing, please take the time to look at our end user license agreement. The sounds are royalty free and licensed to you, which means there are some restrictions, so please read it carefully. Sales through this site are single-user licenses, if you are working at a media or video game production facility and are interested in a multi-user site license, please contact The Recordist for more information and rates.
COPYRIGHT NOTICE:
This work is made and sold under license. By accepting this work, you agree to the following terms and conditions. Your use of this work is limited and restricted solely for the purpose of synchronizing recordings there from in timed relation with films, training or marketing presentations, radio and television presentations or commercials, and any other multimedia, audiovisual or computer generated displays, programs or presentations. Neither you nor anyone else may make any copies of any of the recordings on this work, except as may be designated to a single stand alone workstation for the purpose of specific audio and/or visual synchronization at your own facility. Transfer, copying or duplication of the work in whole or in part for any other purpose is expressly prohibited unless specifically authorized in writing by The Recordist. Transfer of one or more sounds to any format allowing network or remote access by two or more end users requires a Multi-user License. Contact The Recordist for details. In the event of a breach of these terms, action may be taken against you directly by Creative Sound Design, LLC., the owner of the copyright.
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.