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You are here: Home1 / Shop2 / HD Professional SFX3 / Guns HD4 / GunTales HD Pro

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GunTales HD Pro

$149.00

Firearms recorded for the simple purpose of capturing the “report” or “reverb tail” from the guns. 24 Bit / 96kHz with detailed metadata. Included are small caliber handguns, two bolt action rifles (featuring the Barrett 50 BMG), a shotgun (with rifled slugs) and a AR-15 assault rifle.

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SKU: GTALE-01 Categories: Guns HD, HD Professional SFX, Warfare HD Tags: Guns, Machine Gun, Rifle, Shotgun, Warfare, Weapon
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Product Description

Presenting GunTales HD Professional Sound Effects Collection, a collection of firearms recorded for the simple purpose of capturing the “report” or “reverb tail” from the guns. Included are small caliber handguns, two bolt action rifles (featuring the Barrett 50 BMG), a shotgun (with rifled slugs) and a AR-15 assault rifle. The first recording session took place on a wide open 400 acre ranch near the mountains and was recorded from the side and rear of the six guns at a medium and far distance. The Second session was recorded at a location in the mountains at a area called Canyon Gap. At an elevation of 3800 ft above sea level on a old logging road the microphones were placed close up, medium and far to capture the graceful mountian echo along with the explosive muzzle blast of the guns that reverberated off the rocks. With microphones pointed in many directions a diverse and unique report was obtained with each microphone capturing a different style of reverberation.

The idea behind this collection came to me after the many gun sessions I have worked on here in North Idaho. I always thought that it would be really cool to record just the “report” from the gun firing into the remote mountains and fields here. I have recorded many guns up close and personal and decided that it was time to record only the tickling of the air molecules bouncing around the beautiful and isolated locations i’ve visited.

There are no “extreme close up” sounds that capture the mechanics of the firearms in this collection with the idea being you can add whatever close up sound to fit your needs. The collection includes the final mastered versions along with the source files used to create the mastered sounds.

Session 1

Ranch Microphone Placement. Elevation: 2400ft above sea level
I recorded 8 channels of audio using a Sound Devices 744T and two 702 recorders. Feeding the recorders were (4) Sennheiser MKH-8040′s, MKH-8050, MKH-8060, MKH-8020 and a MKH-416. The MKH-8040′s were set up in 2 pairs, a stereo XY and a stereo spaced pair. The spaced pair of MKH-8040′s were very far apart but equal distance and angle to the center shooting location. This is a new technique I was trying out and am very happy with the results as they can also be used as 2 mono tracks that can be mixed in mono or panned left-right and any width.

  • Sennheiser MKH-8040LR: 20 meters behind gun, spaced pair, wide
  • Sennheiser MKH-8040ST: 40 meters behind gun, center
  • Sennheiser MKH-416: 10 meters behind gun, set to right side
  • Sennheiser MKH-8050: 30 meters to side of muzzle. Left side
  • Sennheiser MKH-8060: 30 meters to side of muzzle. Right side
  • Sennheiser MKH-8020: 30 meters to side of muzzle. Left side, Pointed away

Winchester 700 .300 Win Mag Rifle | Mossberg 590 Shotgun | S&W MP40 .40 Cal. Handgun | Glock 17 9MM Handgun | Barrett .50 BMG | LAR-15 .223 Assault Rifle.

The Sennheiser MKH-8040 Wide Stereo file is two microphones spaced far apart. They can be used as 2 separate mono files. Delivered as interleaved stereo file.

Session 2

Canyon Gap Microphone Placement. Elevation: 3800ft above sea level

  • Sennheiser MKH-8040 ORTF: 5 meters behind gun, ORTF
  • Sennheiser MKH-8040ST: 10 meters behind gun, right, XY
  • Sennheiser MKH-416: 3 meters right of gun, behind muzzle
  • Sennheiser MKH-8050: 2 meters left of gun, behind muzzle
  • Sennheiser MKH-8060: 10 meters front of muzzle, left side
  • Sennheiser MKH-8020: 45 meters front of muzzle, left side
  • Audio Technica AT835-ST: 25 meters front of muzzle, right side

Winchester 700 .300 Win Mag Rifle | Mossberg 590 Shotgun | S&W MP40 .40 Cal. Handgun | Glock 17 9MM Handgun | Barrett .50 BMG | LAR-15 .223 Assault Rifle.

Equipment Used:
(3) Sound Devices 702 – Sound Devices 744T – Sennheiser MKH-8040ST – (2) Sennheiser MKH-8040 – Sennheiser MKH-8050 – Sennheiser MKH-8060 – Sennheiser MKH-8020 – Sennheiser MKH-416 – Audio Technica AT835-ST

Files: 156 (925+) • Download: 3.2GB • Format: Stereo/Mono • Bit Depth: 24-Bit • Sample Rate: 96kHz • Metadata: Soundminer/BWAV

Complete PDF Sound description list: Sound File List PDF

Complete XLS Sound description list: Sound File List XLS

Guns:
Winchester 700 .300 Win Mag Rifle | Mossberg 590 Shotgun | S&W MP40 .40 Cal. Handgun | Glock 17 9MM Handgun | Barrett .50 BMG | LAR-15 .223 Assault Rifle.

50 BMG Blog Post: Recording The Barrett 99 50 BMG Rifle

You may have heard a rumor through the social network grapevine that I finally took a Barrett 99 50 BMG rifle out into the North Idaho wilderness and recorded the tiny little sound it makes. Well, it’s true. I did, and it was LOUD… and so much fun capture such an amazing sounding gun. I have never recorded such a large rifle before and was very anxious after recording 15 body thumping shots to get back to the studio and listen to the multi-microphone recordings. In this blog post I will explain to the best of my “spell correcting” ability how I set up and what gear I used to capture the incredible echo this gun produced on a secret 400 acre ranch.

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Purchases made at this website are DIGITAL DOWNLOAD ONLY. No physical shipments of DVDs, CDs or Hard Drive or any other media now known or may be know in the future will be delivered unless special arrangements are made.

Because the TheRecordist.com Web site offers its users the opportunity to audition a sound effects collection before a purchase is made, all transactions conducted at therecordist.com are considered final sales. Please make your license purchasing decisions carefully, because once you have obtained download access to any of our digital sound effects, we are unable to cancel your license or issue a refund for your purchase.

Before purchasing, please take the time to look at our end user license agreement. The sounds are royalty free and licensed to you, which means there are some restrictions, so please read it carefully.

Sales through this site are single and multi-user licenses, if you are working at a media or video game production facility and are interested in a multi-user site license, and are unable to purchase via this website please contact The Recordist for more information.

COPYRIGHT NOTICE:
This work is made and sold under license. By accepting this work, you agree to the following terms and conditions. Your use of this work is limited and restricted solely for the purpose of synchronizing recordings there from in timed relation with films, training or marketing presentations, radio and television presentations or commercials, and any other multimedia, audiovisual or computer generated displays, programs or presentations. Neither you nor anyone else may make any copies of any of the recordings on this work, except as may be designated to a single stand alone workstation for the purpose of specific audio and/or visual synchronization at your own facility. Transfer, copying or duplication of the work in whole or in part for any other purpose is expressly prohibited unless specifically authorized in writing by The Recordist. Transfer of one or more sounds to any format allowing network or remote access by two or more end users requires a Multi-user License. Contact The Recordist for details. In the event of a breach of these terms, action may be taken against you directly by Creative Sound Design, LLC., the owner of the copyright. v4.5 11-23-22

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