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June 2016 Newsletter

Welcome to the June 2016 Newsletter.

Helicopters HD Mini is here!

Helicopters HD Mini is the first in a new series of sound effects collections that have the best of the best from a very specific subject.

Huey • AgustaWestland 119Kx • Eurocopter AS350 • Schweizer 269C

The helicopters in this set are from random fly-bys over the house and when out on location recording other material. Some are from airshows in the area and the local airport. Instead of waiting for more occasions when more random helicopters can be recorded to make a giant collection I’ve decided to release the cream of the crop from the last couple of years.
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The Recordist Five Fifty Retrospective

Since I will not be attending GDC this year I figured I would share the video I put together for last year. It took weeks to produce this video and as Bones says on Star Trek “I’m a sound designer not a video editor Jim”

I want you to know I thank all of you video game sound designers and many others in the media industry from the bottom of my heart for your amazing support of my passion. I will be at GDC in spirit and I hope this little romp through my crazy sound recording life gives you the same joy as it has done for me.

So, if you are attending GDC this year, have a few single malt scotches while there and I’ll raise my glass and say a toast to the best of the best… from the comforts of my studio in Idaho.

All my best and… Namaste. Frank
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The Envolution of Suppressors

Over the past few months I had the honor of beta testing the Oxford Envolution plug-in from Sonnox. I normally don’t plug a plug-in directly but in this case I really want to share my experience using this new envelope shaper on the latest addition to my Suppressed Weapons Sound FX library. Right off the bat I will say WOW! I’ve never experienced such a unique and powerful transient and sustain manipulator. I’ve used many including their TransMod plugin and always find new and exciting ways to enhance the sound effects I include in my libraries with envelope shaping.
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The Recordist Article 2013

Posted: Sunday, December 29, 2013
By DAVID GUNTER Feature correspondent for The Daily Bee

SANDPOINT – Frank Bry hears things. It’s his job, actually. Where most of us might detect a twig breaking underfoot — if we notice it at all – Bry’s ears snap to attention, fully alert to the myriad ways a twig can be broken and how it might sound from dozens of different angles.

For Bry, the crack of ice on a frozen lake is only an overture to the symphony that follows. It might be a deep-bellied echo from the depths below, or a sparkling chorus of bubbles rising up to answer the initial fracture, but he hears every note, registers every subtle aspect of the soundscape.

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Interview with Frank Bry

Creating an Experience with Sound Effects – Interview with Frank Bry

This is a interview I did with my good friend Paul Virostek from Jetstreaming.org

How can you record great sound effects?

Field recording well requires using gear properly, having a solid recording sensibility, and knowledge of acoustics and signal flow.

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