As I am making the Ultimate Mud SFX Library I’m always trying to come up with new ways to create unique mud sounds. So far I’ve used my feet, shovels, my hands, buckets and logs. I decided one day last week to go bigger and better (hopefully) so it was time to get the JD tractor going and see if I could dump some mud.

It had just rained heavily for 3 days straight and my mud bog had filled back up with quite a bit of water. Perfect! It was a challenge to get the John Deere down into the mud but once I did I filled the tractor bucket by hand full of very wet mud. I raised the bucket up and proceeded to slowly dump out the water and then the mud. So far so good, I got some fairly big mud splats and splashes.
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I’ve always had the strangest luck, fate, universe is looking out for me kind of thing going on my whole life. I’m going to take a trip down memory lane here in this blog post and then jump forward to today.

Then:

Back in 2000 I had a good friend who had just purchased a defunct steam power plant in Seattle Washington call me up and say “You better get over here ASAP and record this place before I tear it down to build some apartments.” So, I jumped in the car and drove the 6 hours or so from Idaho to Seattle with my HHB PDR-1000 DAT machine and a AT-825 stereo microphone.
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Snow is another of the sound sources I’ve used quite a bit in the video games I’ve worked on such as Dungeon Siege, Neverwinter Nights and Demigod.

North Idaho gets its share of snow. Living here in the winter is fairly tough when we get lots and lots of snow but it also creates an wonderful opportunity to record some great snow sounds. We get all kinds of snow: slushy, icy, brittle, hard, soft, heavy, light, you name it. Over the last 5 years or so I’ve collected quite a bit of snow recordings at 24bit 96K.
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North Idaho gets its share of snow. Living here in the winter is fairly tough when we get lots and lots of snow but it also creates an wonderful opportunity to record some great snow sounds. We get all kinds of snow: slushy, icy, brittle, hard, soft, heavy, light, you name it. Over the last 5 years or so I’ve collected quite a bit of snow recordings at 24bit 96K. I’ve been recording snow since the DAT days and am totally amazed by the quality HD audio provides when recording snow.
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Here is another one of my blog posts on a Sunday afternoon even though I have more pressing things to do. This one is about my experience recording cars. I am by no means an expert in recording any type of vehicle. There are people way more skilled and experienced than I am but I’m fascinated by the sound of engines, pass by’s and the general motion of anything. I have never recorded from the perspective of “on the car” before and figured that it was time to give it a try.
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