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Shotguns HD Pro Video Teaser One

Here is the first teaser for SHOTGUNS HD Professional Sound FX Library.

Eight shotguns were recorded in various locations in the wilderness of North Idaho. Along with the standard multi-channel recordings there are a multitude of “Texture” sound effects included for layering into other sounds as you see fit. Pitch them around, mangle them, pump them up! The specific location in this teaser is a fantastic wide open field with rolling hills and mountain ranges all around. The library will be available very soon from The Recordist. Enjoy! -Frank, March 10, 2016 Got Echoes?
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Shotgun Ammo Slugfest

Shotgun Recording 2012

Recording the bullets for my new SFX library called BULLETS HD PRO has been quite an experience. So far I’ve recorded over a dozen guns from a .22 to a M-60 but nothing had sounded as cool or as strange as recording a Mossberg 590 shooting a special shell called the “Bolo”. A Bolo is two heavy duty slugs molded on to each end of a 5 inch piece of steel wire and when fire expands 240%.

I took a short ride up the back mountain and found a nice long shooting range. I wanted to get the microphones at least 300 feet away from the blast of the gun but had to settle for around 250 feet. I’m sure with more time I could get more range but since this was a test it worked fine. The range was not level and had a curved rock face along one side and the other side was open to the valley below.

I brought along a few Remington 2 3/4 buckshot shells to shoot along with the Bolo and in the audio demo and the difference is very noticeable. I also shot a .22 with 710 FPS ammo and fired off many of those and I will write a in-depth blog post about the slow .22 bullets that I’ve recorded over the last two months.

I set the Sennheiser MKH-8040ST down range 250 feet or so away and on the other side of the protruding rock face which was at the bend in the trail. I really did not know what to expect from this set up but I did know I did NOT want to hit the MKH-8040ST rig with a shotgun slug or a .22 bullet. Ouch!

Shotgun Recording 2012

So here is the drill: Get the gun ready to go, walk all the way down and place the microphones, hit record, walk all the way back to the gun, shoot a test shot for levels, walk all the way back to check the recording, make any adjustments, walk all the way back to the gun, shoot a few more shells, walk all the way back to the microphone and make any additional adjustments, start recording, walk all the way back and shoot some more… you get the idea. Yes, I’ve lost some weight and I am back in shape after a lazy winter.

I angled the XY-90 MKH-8040ST microphones so they were facing slightly away from the muzzle of the gun. This worked great because one microphone picks up more of the shot while the other one picks up more of the pass by. In stereo it sounds great but the channels can be used separately if need be. I did notice that because the microphones were slightly behind the rock face, the muzzle blast was really beefy with very little mountain echo.

This audio demo showcases 3 shots first played back at normal speed, then at 50% speed and then 25% speed. You will notice the pass by more with the slowed down sounds and the twirling of the Bolo is very nice. The Remington buckshot shell surprised me as you can hear the individual pellets zipping by the microphone. Some fall short and some keep a straight line path, interesting. The demo is only modified with a transient enhancer (Oxford) with 6dB of gain added and L2 to bring up the level a bit. No EQ was added which is nice because you can really hear how well the MKH-8040ST holds up under extreme pitching. Even at 25% playback speed there is still lots of information over 12kHz.

I’m still experimenting with many different types of guns and bullets. Next up for my 12 gauge shotgun is some more crazy ammo called “Terminator” and “Double Mule” and many types of standard slugs. Enjoy! -Frank

Shotgun Recording 2012

Shotgun Recording 2012

Shotgun Recording 2012

Date: July 9, 2012. All images and sounds copyright 2012 Frank Bry – Creative Sound Design, LLC

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M60 Machine Gun Microphone Comparisons

Date: Nov. 7, 2011

M60 Machine Gun Microphone Comparison 1

This video cycles through the microphones used during the first recording session for this gun. This first session was for capturing the medium close and distant perspectives and the second session was primarily for the close up sound. Recorded at 24-Bit 96kHz/192kHz to 2 Sound Devices SD-702 recorders, Fostex FR-2, Sony PCM-D1 with XLR-1 Microphone Preamp and a Sony PCM-D50. The microphones used were 3 Sennheiser MKH-8040, MKH-416, AT-835ST, Sanken CSS-5 and D-50 internal.

M60 Machine Gun Microphone Comparison 2

This video cycles through the microphones used during the second recording session for this gun. The first session with this weapon was for getting the medium close and distant perspectives and this session was primarily for the close up sound along with some closer distant perspectives. Recorded at 24-Bit 96kHz/192kHz to 2 Sound Devices SD-702 recorders, Fostex FR-2, Sony PCM-D1 with XLR-1 Microphone Preamp and a Sony PCM-D50. The microphones used were 4 Sennheiser MKH-8040, MKH-416, AT-835ST and D-50 internal.

Shotgun: Mossberg 590 Recording With Sennheiser 8040ST

A Mossberg 590 12 Gauge Shotgun recorded from 3 positions at 24-Bit 192kHz. 1) Original speed: side, front and rear. two versions each. 2) Played back at half speed: side, front and rear. 3) Played back at quarter speed: side, front and rear.

I quickly edited and mastered them in Pro Tools at 192K with some H-Comp compression, Decapitator and L2 limiting. Oh yeah… I almost forgot to mention Chuck Russom’s “Call It Good” favorite: RenBass.

Below is the 192K file you can download and have fun sith (I hope) Don’t worry, I can shoot anytime here on the ranch. I can always get more if I need them. -Frank

Mossberg 590 8040ST

Here is the 192K file as a special gift!

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